No. 540 · August 15, 2026

Gavin Nelson

Designer at OpenAI

San Francisco Bay Area

A minimal light-wood desk with an Apple Studio Display showing a Figma file of ChatGPT mobile screens. A MacBook Pro sits closed in a vertical stand beside a ceramic cup of colored pencils, a yellow HomePod mini, and a glowing IKEA TOKABO lamp. Two framed Susan Kare prints hang on the wall — a hand-lettered "hello." and the pixel Happy Mac — with an Artemide Tolomeo lamp arcing in from the right.
Gavin Nelson's updated 2026 WFH setup.

Gavin Nelson is a designer at OpenAI, working on ChatGPT.

He was previously a designer at Linear, and spent several years at GitHub working on GitHub Mobile and Copilot. He has also designed app icons for clients outside of these roles.

This is Gavin's third appearance in Workspaces. He was previously featured in edition #136 in 2022 and edition #341 in 2023, both times from a fully remote setup. He's since moved back to the Bay Area and works mostly in person.

This is his updated setup in mid-2026.

Follow Gavin on Twitter (X), LinkedIn and at nelson.co.

This is your third time in Workspaces. What’s changed most about how you work since we last featured you in 2023?

The largest change is that I now work mostly in person. I moved back to the Bay Area recently and was excited to have that opportunity. I still value the flexibility and focus of remote work, but I also get energy from being around my teammates and find that many of the most useful conversations happen casually, outside of scheduled meetings. Sitting with other designers also lets me see what they’re working on and how they’re thinking about other parts of ChatGPT. That context helps me design my part as one piece of a coherent system.

The desk photographed from the left, with the blue Steelcase Gesture chair in the foreground. A Magic Keyboard and Magic Trackpad sit on the light wood surface below the Studio Display, lit by an Artemide Tolomeo lamp. Framed Susan Kare prints hang on the wall behind.
Gavin's setup featuring a Steelcase Gesture, Artemide Tolomeo, and a cable situation he describes as "obsessive work to hide most cables from view."

How has your setup evolved? Why did you make the changes that you did?

Mostly I’ve cut everything back to the essentials and done some obsessive work to hide most cables from view. I find that keeping my space minimal and tidy helps me focus on the important things. A lot of the time I’ll have coffee and a notebook sitting on my desk while working, but yes, this is really what it looks like day to day.

Close-up of the left side of Gavin Nelson's desk. A stoneware cup holds Prismacolor pencils and pens next to a yellow HomePod mini and the edge of a MacBook Pro in a vertical stand. Behind them, the Studio Display shows a Figma layer panel and an iOS keyboard mockup with an "Ask ChatGPT" composer field selected.
Everything in the setup got cut back to essentials. The pencil cup stayed.

Walk us through how you go from a blank canvas to an initial design — where do you actually start in Figma?

I don’t really follow any defined process with regard to tools. It mostly comes down to thinking about what job I need to get done, and then picking the tool that is right for that particular job. Generally, for me, that means:

  • Discussion, paper sketches, and whiteboard sketches for initially thinking through what it is I’m designing, what problems it should solve, the current constraints, etc.
  • Figma for quickly drawing out ideas in high fidelity. I create a mess of divergent ideas, quickly iterate through layout, hierarchy, and visual design, and use Figma Slides to help share and describe my thinking.
  • Codex for bringing ideas to life beyond a static image and creating various levels of fidelity of “the real deal”: gestures, behaviors, animations, transitions, haptics, and all the details that give something its final 20%. I’ll often pass Codex links to Figma to quickly get the base layouts right and go from there.

The order changes all the time. Sometimes I’ll bring a prototype I built in a few prompts with Codex to an initial discussion so we have a point of reference. Sometimes I’ll take a photo of a sketch, pass it to Codex, explore the pros and cons of different interaction models, and then turn to Figma.

How has working in the AI space changed the way you think about design tools?

I think AI has primarily broadened the term “design tool.” It’s now easier than ever to spin up a small piece of software for a very specific task, so you’re less limited by the functionality existing tools offer. The tools we have access to can greatly influence what we try to create, and AI makes a much wider range of possibilities accessible. Sometimes the right design tool is Figma, sometimes it’s Blender, sometimes it’s code, and now, sometimes it’s a brand-new, single-purpose thing you quickly build just for that one job. That flexibility is incredibly valuable.

As tools get faster and smarter, what do you think stays uniquely the designer’s job?

I think a lot of the creative thinking and responsibility for taste will lie with designers for a while longer, even as the tools get faster and smarter. When you can design and build almost anything very quickly, a bigger part of the job becomes deciding what’s actually worth making: which problems matter, which direction feels right, what should be removed, and how something fits into the product as a whole.

Gavin’s gear

9 items.

On the desk9

From the census

Checked against every interview we’ve published. The Top 50 ›

51%

The Apple Studio Display is in 51% of 2026’s gear lists, up from 24% in 2023.

No. 1

A HomePod is the most-listed speaker in the archive.

Three tours, four years

On every tour
  • MacBook Pro
  • Steelcase Gesture
New on the latest tour
  • Apple HomePod mini
  • Artemide Tolomeo
  • IKEA TOKABO table lamp
  • Magnetic cable clips

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